Volume 6: Northern Yorkshire

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Current Display: Brompton in Allertonshire 04, Yorkshire North Riding Forward button Back button
Overview
Present Location
Monks' Dormitory, Durham cathedral, catalogue no. 56
Evidence for Discovery
See Brompton In Allertonshire 1 (St Thomas). Found at the restoration and bought by Canon Greenwell for Durham
Church Dedication
St Thomas
Present Condition
Fair; one face dressed
Description

A (broad) : Possibly the lower portion of a shaft. The edge moulding is broad, bevelled at the corners, and irregular in width. A transverse moulding divides two squarish panels. (i) The upper one contains a solitary stag with branched antlers depicted by parallel diagonal incisions; its head is dipped and its legs are straight. Before it, by its feet, is a single bold pellet. (ii) The panel below has a standing quadruped with head turned over its straight back. The tail is short and held forward. Above it is a single pellet.

B (narrow) : The edge moulding is like that on face A, with a broad hacked plinth at the base. (i) The fragmentary upper panel has the termination of a Como-braid or S-twist, in fleshy strand and deep hole-points. (ii) The lower panel is long and contains five registers of four-cord plain plait which falls out of proportion at the base. The strand is modelled.

C (broad) : The broad irregular edge moulding survives only on the left. (i) The base of the upper panel contains remains of box-point terminals with three deep hole-points. (ii) Below the transverse moulding, which is damaged, is a crudely cut standing human figure, frontally posed. The head is round and flat with primitive incised features; it is surmounted by an oblong filler. The figure wears a kirtle and carries a staff in his left hand. The right hand is held across the body with spread fingers. The shoulders are raised; the legs long and vertical.

D (narrow) : Dressed.

Discussion

Greenwell was right in suggesting that the figure of face C is secondary re-cutting, as the odd edge moulding confirms. The small panels with isolated animals, Como-braid and deep hole-points are all features of the Allertonshire workshop, but the irregularities in the proportions and layout show that, unlike that workshop's true products, the designs were not gridded. This is a brave copy, and may be modelled on Sockburn 7 (Cramp 1984, 138, pl. 134). The modelling of the edges is also taken from the Allertonshire group.

Date
First half of tenth century
References
Haverfield and Greenwell 1899, 119–20, no. LVI, figs. on 119, 120; Collingwood 1907, 300; Collingwood 1912, 123; Cramp 1965a, 8, no. 56; Bailey 1978b, 182; Bailey 1980, 247–8, 252; Cramp 1984, 137, 138, 145–6
Endnotes
[1]The following are general references to the Brompton stones: (—) 1867–8, lxxxviii; Rowe 1870, 240; (—) 1871–2, xxiv; Greenwell 1869–79a, lx; Rowe 1877, 61–4; Allen and Browne 1885, 352; Browne 1885–6, 124, 128; Saywell 1886, 481; Allen 1887, 126, 386, fig. 28; (—) 1890–5a, viii; Haverfield and Greenwell 1899, 125–6; Bulmer 1890, 389; Hodges 1894, 195; Morris, J. 1904, 32, 84–5, 420; Bogg 1908, 28–32, ills. on 29 and 32; Page, W. 1914, 430, 431; Morris, J. 1931, 33, 86, 87, 417; Elgee and Elgee 1933, 219–20, 245; Mee 1941, 41–2; Fisher 1959, 89; Pevsner 1966, 90, pl. 8; Bailey 1980, 85, 100, 240, 252, 255, 265; Kerr and Kerr 1982, 38–9 and ill.; Morris, R. 1983, 7; Cramp 1984, 11, 30, 93; Bailey and Cramp 1988, 54; Lang 1988a, 14, 24, 56; Cambridge 1989, 378; Richards 1991, 80, 119, 124, ill. 81; Everson and Stocker 1999, 138; Stocker 2000, 205–6.

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