Volume 9: Cheshire and Lancashire

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Current Display: Bolton le Sands 1, Lancashire Forward button Back button
Overview
Present Location
In church
Evidence for Discovery
Taylor (H. 1906, 365) seems to suggest that the stone was discovered during church restoration work in 1875. Dr R. Trench-Jellicoe, however, has drawn my attention to a drawing of the carving in the Hibbert Ware manuscripts in Manchester Public Library which is dated October 1846 (Msf 091 H21, vol. 5, 50). This suggests that the sculpture was found much earlier, possibly in the church restoration of 1813.
Church Dedication
Holy Trinity; formerly St Michael
Present Condition
The original face of C has been cut away and re-carved whilst much of D has been lost; face A is damaged in the upper left.
Description

A (broad): Set awkwardly within flanking border mouldings (and with some traces of an upper border) are two ring-encircled twists, executed in a broad strand, terminating at the top in a bar terminal.

B (narrow): Fragments of the lateral border mouldings survive, flanking a three-strand plait.

C (broad): Re-cut with the remains of a border to the right and at the base of the fragment. The figural scene on this face is to be read with the long border at the top. In the centre is a haloed figure whose arms are set akimbo holding a smaller figure, similarly set en face, in front of her. The large figure has a wedge-shaped nose and hollowed ears whilst the facial features of the small child seem to be more realistically rendered. The sub-rectangular moulded outline below may represent a throne or the lower hem of a long dress. To the left is a second (now headless) figure with short kirtle, holding a book against his right hip. In the upper right corner, set on a different plane, is a bearded and possibly seated figure, seen in profile with arms extended in front.

D (narrow): Only the border adjacent to face A survives, together with the remains of a broad-strand plait.

Discussion

This bold, but badly set-out, shaft carries a ring-encircled twist typical of Viking-period carvings. The broad flat strands are also characteristic of work of this period (see e.g. Brigham 2 — Bailey and Cramp 1988, ill. 133). The re-cutting of face C seems to be of the same style as the secondary, Norman, carving on Bolton le Sands 2 and may have formed part of the same frieze: it includes a Virgin and Child depiction.

Date
Tenth century, with twelfth-century re-cutting
References
Baines 1831–6, III, 52; Baines 1868–70, II, 565; Taylor, H. 1903, 72–4, pl. facing 105; Taylor, H. 1904, 81; Garstang 1906, 266; Taylor, H. 1906, 365, pl. facing 397; Farrer and Brownbill 1914, 128; Pevsner 1969b, 16, 74; Edwards, B. 1978a, 57; Bailey 1980, 247; Lang 1982, 60; Edwards, B. 1992, 58; Crosby 1998, 30; Noble 1999, 7, fig. 1; Salter 2005, 22
Endnotes

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